LINCOLN CENTER
Metropolitan Opera
Cosi Fan Tutte
Mozart
This is a treat! Top of the world!
Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The
School for Lovers) K. 588, is an Italian-language opera buffain
two acts by Wolfgang Amadeus Mozart first performed in 1790. The libretto was
written by Lorenzo Da Ponte, who also wrote Le nozze di Figaro and Don Giovanni.
Although it is commonly held that Così fan tutte was
written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's
contemporary Antonio Salieri tried to set the libretto but left it
unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library.
The title, Così fan tutte, literally means "Thus do all
[women]", but is often rendered as "Women are like that". The
words are sung by the three men in act 2, scene 3, just before the finale. Da
Ponte had used the line "Così fan tutte le belle" earlier in Le
nozze di Figaro (in act 1, scene 7).
According to William Mann, Mozart disliked prima donna Adriana Ferrarese del Bene, da Ponte's arrogant mistress for
whom the role of Fiordiligi had been created. Knowing her idiosyncratic
tendency to drop her chin on low notes and throw back her head on high ones,
Mozart filled her showpiece aria Come scoglio with constant
leaps from low to high and high to low in order to make Ferrarese's head
"bob like a chicken" onstage.
http://www.youtube.com/watch?v=4Klw9u0yrfU
The subject matter did not offend Viennese
sensibilities of the time, but throughout the 19th and early 20th centuries it
was considered risqué. The opera was rarely performed, and when it did appear
it was presented in one of several bowdlerised forms.