Thursday, November 30, 2017




LINCOLN CENTER

David Geffen Hall
New York Philharmonic

Ax, Mozart and Brahms

Edo de Waart - Conductor
Emanueal Ax - Piano

Bent Sørensen - Evening Land (World Premiere–New York Philharmonic Commission)
Mozart - Piano Concerto No. 20
Brahms - Symphony No. 2



"Edo de Waart leads Brahms’s genial Second Symphony. Magnificent horn calls open the work, cascading melodies delight throughout, and the finale drives home with brass ablaze. Emanuel Ax is the soloist in Mozart’s Piano Concerto No. 20, dramatic, reflective, and lyrical. And the Orchestra premieres music by Bent Sørensen — just awarded the distinguished Grawemeyer Award for Music Composition — whose twinkling sound world offers a new listening experience."




Bent Sørensen has won the 2018 Grawemeyer Award for Music Composition, and this week New York audiences can discover why.

On November 30–December 2 the New York Philharmonic gives the World Premiere of his Evening Land, a work commissioned by the Orchestra through the generous support of The Marie-Josée Kravis Prize for New Music.

The Graweveyer Award — which is also awarded in political science, psychology, education, and religion — is given annually “to help make the world a better place. … Music has the ability to inspire, to bring joy to those who hear it and those who create it. It can convey great emotion in just a few powerful notes. There is, perhaps, no greater expression of the human spirit. For this reason, the Grawemeyer Award in Music Composition honors those who bring beauty and inspiration into the world.” The work so honored is L’Isola della Citta, Sørensen’s 2015 concerto for violin, cello, and piano.

Of Evening Land the Danish composer said:

“A picture, a vision: I am six or seven years old. I am standing in my childhood home in a small town on the island of Zealand in Denmark. I am looking out of the window, and there is a very special evening light over the fields. … It is as if the world is infinite. … The vision returned many years later, as I was looking out over New York from a high balcony. The vision from more than 50 years ago — the vision of quiet — was mixed with the new vision of flashes of light and bustling activity. Those two visions led me to the title Evening Land and the music came out of that title.”

Congratulations, and we look forward to the concerts!











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