Friday, March 21, 2014



LINCOLN CENTER

Jazz at Lincoln Center
Beyond Jobim: New Voices of Brazil

A great day of walking.  It's almost Spring!

We walked from our apartment at 32nd Street and 6th Avenue northward to 59th and Park.

From there we walked westward down 59th until we got to Columbus Circle.



While walking down 59th we saw Charlie Rose walking on the sidewalk.  In Time Warner Building we saw Jerry Stiller.  On the sidewalk near our building we saw Bernard McGuirk, the executive producer of Imus in the Morning.


Clarice Assad was spectacular.  Talented, creative, musical, and entertaining.  Luisa Maita did one song really well and then repeated it for the next 45 minutes.  Mono-Tonous!

"The most amazing thing is how much both artists shape shift their sound. One moment they are samba, then jazz, then you’re in a concert hall, next the jungle, and then you’re back in a club. It’s so natural like you are floating down a river on a ride."

"Lead vocalists Luísa Maita and Clarice Assad present their personal refractions of the various streams of Brazilian musical expression. Named for the protagonist of Tom Jobim's iconic "Ana Luísa" and thoroughly rooted in the Great Brazilian Songbook, Maita offers a 21st century take on the tropes of samba and bossa nova, and was recognized as "Best New Artist" at the 22nd annual Brazilian Music Awards. A visionary composer and virtuoso pianist who draws on Heitor Villa-Lobos and Hermeto Pascoal in equal measure, and an overall practitioner of vocalese, Assad is as comfortable performing with a symphony orchestra as with her ancient-to-future unit Off The Cliff, which, as she puts it, "uses different combinations of instruments from song to song so that it never sounds the same."


Listen to the video below of Clarice Assad and tell me it's not interesting and amazing.





Friday, March 14, 2014



TAMPA, FLORIDA

I am in Tampa, Florida for 3 days to recertify as a surveyor for AAAHC.

Wednesday, March 12, 2014



RECITAL

Park Avenue Armory
Igor Levit - Piano

All-Beethoven Program
Piano Sonata No. 30 in E Major, Op. 109
Piano Sonata No. 31 in A-flat Major, Op. 110
Piano Sonata No. 32 in C minor, Op. 111


Below is a great review of the performance we attended. 

http://nyti.ms/1qAvlqf

Again, we had the very best of seats.  We were key board, right hand, 7 feet away.  We could see and feel the full effort he made.  It was special.

This is a video of one of the sonatas we heard.  Our view of his face and hands was this close!

https://www.youtube.com/watch?v=TfoAQXKqzJ4

http://igor-levit.de/?lang=en



"I've written a piece in the Spectator this week that they've published online under the heading "Music to listen to when you've broken up with a precious friend". Ironically (clue) the music I have in mind is for the piano: the slow movement of Beethoven's Hammerklavier Sonata played by a young genius called Igor Levit who already belongs in the apostolic succession of Schnabel, Backhaus, Kempff, Mrs Mills, Brendel, Kovacevich…


Levit's new CD of the last five Beethoven piano sonatas. I must have 20 recordings of those works, but this I keep returning to. Levit (b. 1987) has the pin-sharp technique of a musician in his 20s, combined with fresh ideas about structure and – employing freakish polyphonic finger-control – a relish for throwing out splashes of colour worthy of Jackson Pollock. My only question is: when you've conquered the summit of the piano repertoire at 26, where do you go next?"

“Levit’s recital revealed the links between Beethoven’s [sonatas] and hailed the emergence of an exciting new talent.” 
The Guardian (London)
With a recent five-star performance at Queen Elizabeth Hall that “shows he is set to be one of this century’s big names” (The Telegraph, UK), pianist Igor Levit makes his North American recital debut with a program of Beethoven’s most cherished sonatas performed in the most intimate of settings.

Monday, March 10, 2014



RECITAL

Carnegie Hall
Evgeny Kissin - Piano

Our goal in coming to New York has been to see the best and hear the best.  Tonight was a special evening.


The pianist tonight is at the top of the list of pianists.  Then, just to add to the evening, Carolyn sat directly across the aisle, 5 feet, from Mikhail Nikolaevich Baryshnikov.  On the way out of Carnegie Hall, he held the door for Carolyn and several other ladies.  Big fun!

“So compelling is Evgeny Kissin’s pianism,” writes The Times(London), “so fresh his response to even the most familiar phrases that one hangs on every note.” The stellar pianist has proven that he is one of the greatest interpreters of our time, and there is always a sense of excitement and anticipation leading up to one of his recitals—especially those at Carnegie Hall.


SCHUBERT Piano Sonata in D Major, D. 850
SCRIABIN Piano Sonata No. 2, Op. 19
SCRIABIN Etude in F-sharp Minor, Op. 8, No. 2
SCRIABIN Etude in B Major, Op. 8, No. 4
SCRIABIN Etude in E Major, Op. 8, No. 5
SCRIABIN Etude in A-flat Major, Op. 8, No. 8
SCRIABIN Etude in G-sharp Minor, Op. 8, No. 9
SCRIABIN Etude in B-flat Minor, Op. 8, No. 11
SCRIABIN Etude in D-sharp Minor, Op. 8, No. 12


Mr. Kissin was born in Moscow in October 1971. He began to play by ear and improvise on the piano at the age of two. At six years old, he entered a special school for gifted children, Moscow's Gnessin School of Music, where he was a student of Anna Pavlovna Kantor, who has been his only teacher. At the age of 10, he made his concerto debut, playing Mozart's Piano Concerto No. 20 in D Minor, K. 466, and gave his first solo recital in Moscow one year later. He came to international attention in March 1984 when, at the age of 12, he performed Chopin's First and Second piano concertos in the Great Hall of the Moscow Conservatory with the Moscow State Philharmonic under Dmitri Kitaenko. This concert was recorded live by Melodia, and a two-LP album was released the following year. Given the astounding success of this recording, Melodia proceeded to release five more LPs of live performances in Moscow over the following two years.



In 1990, Mr. Kissin made his North American debut, performing both Chopin piano concertos with the New York Philharmonic conducted by Zubin Mehta. The following week, he opened Carnegie Hall's centennial season with a spectacular debut recital, recorded live by BMG Classics.



Musical awards and accolades from around the world have been generously bestowed upon Mr. Kissin over the years. He was special guest at the 1992 Grammy Awards ceremony, broadcast live to an audience estimated to be larger than one billion, and three years later became Musical America's youngest-ever Instrumentalist of the Year. He has also received an honorary doctorate from the Manhattan School of Music, the Shostakovich Award (one of Russia's highest musical honors), and an honorary member of the Royal Academy of Music in London. Mr. Kissin's recording of works by Scriabin, Medtner, and Stravinsky (RCA Red Seal) won him a Grammy Award in 2006, and he won another Grammy in 2010 for his recording of Prokofiev's Second and Third piano concertos with the Philharmonia Orchestra conducted by Vladimir Ashkenazy (EMI Classics).



Mr. Kissin was born in Moscow in October 1971. He began to play by ear and improvise on the piano at the age of two. At six years old, he entered a special school for gifted children, Moscow's Gnessin School of Music, where he was a student of Anna Pavlovna Kantor, who has been his only teacher. At the age of 10, he made his concerto debut, playing Mozart's Piano Concerto No. 20 in D Minor, K. 466, and gave his first solo recital in Moscow one year later. He came to international attention in March 1984 when, at the age of 12, he performed Chopin's First and Second piano concertos in the Great Hall of the Moscow Conservatory with the Moscow State Philharmonic under Dmitri Kitaenko. This concert was recorded live by Melodia, and a two-LP album was released the following year. Given the astounding success of this recording, Melodia proceeded to release five more LPs of live performances in Moscow over the following two years.


In 1990, Mr. Kissin made his North American debut, performing both Chopin piano concertos with the New York Philharmonic conducted by Zubin Mehta. The following week, he opened Carnegie Hall's centennial season with a spectacular debut recital, recorded live by BMG Classics.



Musical awards and accolades from around the world have been generously bestowed upon Mr. Kissin over the years. He was special guest at the 1992 Grammy Awards ceremony, broadcast live to an audience estimated to be larger than one billion, and three years later became Musical America's youngest-ever Instrumentalist of the Year. He has also received an honorary doctorate from the Manhattan School of Music, the Shostakovich Award (one of Russia's highest musical honors), and an honorary member of the Royal Academy of Music in London. Mr. Kissin's recording of works by Scriabin, Medtner, and Stravinsky (RCA Red Seal) won him a Grammy Award in 2006, and he won another Grammy in 2010 for his recording of Prokofiev's Second and Third piano concertos with the Philharmonia Orchestra conducted by Vladimir Ashkenazy (EMI Classics).



In 1990, Mr. Kissin made his North American debut, performing both Chopin piano concertos with the New York Philharmonic conducted by Zubin Mehta. The following week, he opened Carnegie Hall's centennial season with a spectacular debut recital, recorded live by BMG Classics.



Musical awards and accolades from around the world have been generously bestowed upon Mr. Kissin over the years. He was special guest at the 1992 Grammy Awards ceremony, broadcast live to an audience estimated to be larger than one billion, and three years later became Musical America's youngest-ever Instrumentalist of the Year. He has also received an honorary doctorate from the Manhattan School of Music, the Shostakovich Award (one of Russia's highest musical honors), and an honorary member of the Royal Academy of Music in London. Mr. Kissin's recording of works by Scriabin, Medtner, and Stravinsky (RCA Red Seal) won him a Grammy Award in 2006, and he won another Grammy in 2010 for his recording of Prokofiev's Second and Third piano concertos with the Philharmonia Orchestra conducted by Vladimir Ashkenazy (EMI Classics).



Musical awards and accolades from around the world have been generously bestowed upon Mr. Kissin over the years. He was special guest at the 1992 Grammy Awards ceremony, broadcast live to an audience estimated to be larger than one billion, and three years later became Musical America's youngest-ever Instrumentalist of the Year. He has also received an honorary doctorate from the Manhattan School of Music, the Shostakovich Award (one of Russia's highest musical honors), and an honorary member of the Royal Academy of Music in London. Mr. Kissin's recording of works by Scriabin, Medtner, and Stravinsky (RCA Red Seal) won him a Grammy Award in 2006, and he won another Grammy in 2010 for his recording of Prokofiev's Second and Third piano concertos with the Philharmonia Orchestra conducted by Vladimir Ashkenazy (EMI Classics).



Evgeny Kissin's musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have earned him the veneration and admiration deserved only by one of the most gifted classical pianists of his generation and, arguably, generations past. He is in demand the world over, and has appeared with many of the world's great conductors, including Claudio Abbado, Vladimir Ashkenazy, Daniel Barenboim, Christoph von Dohnányi, Carlo Maria Giulini, James Levine, Lorin Maazel, Riccardo Muti, and Seiji Ozawa, as well as all the great orchestras of the world.

Sunday, March 9, 2014



LINCOLN CENTER

Alice Tully Hall
Cameron Carpenter

http://www.cameroncarpenter.com

Cameron Carpenter
Mar. 9 at 2:00 and 7:00

Cameron Carpenter International Touring Organ Debut and Festival

Don't miss the historic culmination of this vision into a compelling, revolutionary reality.

The two full-length concerts feature vastly diverse repertoire, including many first performances of works and arrangements created specifically for this organ. Among these will be:
- The world premiere of Cameron's "Music for an Imaginary Film" (2013)
- Expanded versions of many of his recent arrangements, heard for the first time in an "ideal" form not tourable to pipe organs, including Scriabin's monumental Fourth Sonata and the ecstatic Scherzo from Tschaikovsky's Sixth Symphony
- Song paraphrases from the forthcoming Sony Album, spanning Gershwin and Piazzolla to Patsy Cline, Leonard Cohen, Gordon Lightfoot, Leslie Bricusse, Burt Bacharach, and many others.
In addition to the two full-length concerts, the festival features a lecture-demonstration on Cameron's philosophy behind the instrument and the influences it gathers from his experiences of the great organs of the world; and several other exciting events.

Friday, March 7, 2014




MUSIC

Professional Children's School
Talent Show 2014

This was a talent show by the students in New York's Professional Children's School.  Some performed in their area of skill and others showed something else of their interests.  All of the young people are exceptional.  PCS allows them to pursue a study or performance journey at a time in their lives when they also must go to school.  PCS is very flexible yet quite serious in educating these young talents.
One of the most notable findings of the experience was seeing how supportive they all are of each other.  We spoke with the Headmaster and he said these students were all so pleased to be at PCS with each other.  Many came from settings in which they were viewed a bit differently because of their extreme talent and skill.  Often times, he said, they were envied.  But at PCS, they were among friends and people who understood.
The first performer is the current "child star" in the Broadway revival of Pippin.  One of the next performers plays a Listz Piano Rhapsody and gives fist pumps when he finishes.  Also notice that when his fellow students heard something they thought was difficult and he did it well, they hooted and hollered in the middle of his performance.  That isn't seen much on the recital stage!  Then a few more of the performances to give you a sense of the evening.
Please, note the links below that will tell you about the school.









Our student!








Thursday, March 6, 2014



TOUR

Google - New York


We received an invitation to visit and tour the Google New York Building.  It's huge.  The area around it is exploding with neat cafes, restaurants, bars, hotels, and shops.  Money begets money.

"Google's New York office is located in Chelsea and includes both engineering operations and our North American advertising sales teams.
In the New York office, engineers have the opportunity to take on challenging programming issues in a collaborative environment. Google engineers work on dozens of projects across ads, search, systems, and web and desktop applications.
The New York advertising sales teams work with advertisers and agencies across industries such as retail, travel, consumer packaged goods, tech, finance and health care to drive successful marketing and advertising campaigns."